For a singer-songwriter performing on stage or giving a concert in a living room, sound is everything.
LD Systems FX 300 will blow you away right from the moment you start your show, even if you've had little to no time to carry out a soundcheck. This small yet handy device not only serves as an effect pedal for altering the sound of your voice and instrument but is also an easy-to-use two-channel mixer. Its best feature by far are the pedals that let you control the mute functions with your feet or hand. And if you've got something to say, you can simply mute all effects with the FX MUTE pedal so your voice can be heard loud and clear without any reverb or delay and everyone in the room can understand your message. To prevent the signal of your microphone or instrument from reaching the outputs, all you need to do is tap the MUTE ALL pedal - a lifesaver during breaks or when wrapping up your set.
The FX 300 is outfitted with 16 digital effects presets in 16-bit quality, two inputs with a separate gain setting and a balanced and unbalanced output. The +48 V phantom power provided at the microphone input allows condenser microphones to be used in addition to dynamic microphones. The high-impedance, low-noise instrument input is not only great for acoustic or bass guitars but also for all other instruments. Plenty of headroom ensures you no longer have to worry about distorted signals. And with a 9 V battery that lasts up to five hours, LD Systems FX 300 has got you covered even if there's no outlet in sight.
The flagship of the VIBZ Series of mixing desks, the VIBZ 24 DC is designed for superb audio in home studio and live applications. It sports 16 mono channels with 3-band EQ and semi-parametric midrange, 4 stereo channels with 4-band EQ, 4 subgroups, 24-bit digital effects with 100 presets and smooth 65 mm audio taper faders.
All channels feature high-quality preamps with gain control, 4 aux sends, mute, PFL and routing switches plus signal and clip LEDs. Two sends are switchable pre or post fader to enable monitoring or effects use. The mono channels' XLR mic and TRS line inputs are electronically balanced with channels 1 – 8 providing convenient one-knob control of the built-in compressor and individual insert points for outboard processing.
The master section offers balanced and unbalanced main mix and individual group outputs with precision metering, control room and headphone outputs with level controls and a global 7-band graphic EQ. The VIBZ 24 DC integrates a multi-voltage power supply for 100 – 240 V AC operation.